It's about ontological orientation and our modern disconnection with the macrocosmic (Fear Loves This Place, Gimmie Back My Flag, No Hard Shoulder to Cry On, Soul Desert); ancient Humankind finding its place in the world and making a mark on a megalithic level, and Modern Humanity rediscovering their own cultural landscape hidden beneath the concrete. Drawing his electric bone energy from the sea, sky and underworld, Cope is ever-willing to translate for the tribe.
Cernunnos' Path: Jehovahkill (Julian Cope Classic Album Review)
Prior to the recording of Up-Wards at 45°, Julian was convinced he would die if he didn’t record it as soon as possible, loosing the High Knowledge' forever. Thankfully Julian’s Cyclopean eye throbbed and burst open, spilling out ample amounts of song writing mead." It kicks off with an acoustic intro, over which Juilian begins to sing the first verse and chorus. He then enters into the Mothership and ascends briefly with the bass guitar, then comes back down to the earth for some brief shamanistic drumming, before the real journey (accompanied by the chorus "Going upwards at 45 degrees...won't somebody sign my release."), begins. Cope proceeds to get more and more energized and reascends, freaking out with a cry reminiscent of Iggy Pop fused with the Hindu deity Shiva.
Cernunnos' Path: Music that Transports Me Between Old and New Moons I

Peggy Suicide

Peggy Suicide
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